IFFI 2017 - Country Of Focus: Canada

By: Amit Agarwal

The 48th International Film Festival of India, has Canada as its ‘Country of Focus’. Interestingly, 2017 marks the 150th Anniversary of the Canadian Confederation. Diversity and inclusion, reconciliation with indigenous people, environment and youth are the major themes of the 150th Anniversary of the Canadian Confederation; well reflected in the film package from Canada, curated by the Toronto International Film Festival in collaboration with Telefilm Canada.

The list of Canadian films include Stephen Dunn’s ‘Closet Monster’ which tells the story of an imaginative teenager, his struggle through a rough childhood onto the brink of ‘adulthood’, Pat Mill’s ‘Don’t Talk to Irene’ which portrays how the central character Irene who is bullied at school for her fatness and who gets suspended at the school as a result of a cruel prank, utilizes her community service punishment to prove that you don’t need to be physically ‘perfect’ to be perfectly awesome, Kim Nguyen’s ‘Eye on Juliet’ which is a love story captured through the eye of a spider drone, Mina Shum’s ‘Meditation Park’, which gives us an insight on the experiences of first-generation immigrant women and focuses on the tale of a women’s journey of liberation which unexpectedly starts when she discovers the infidelity of her husband.

Johnny Ma’s film ‘Old Stone’ that was the opening film of the ‘Country of Focus’ screenings is a psychological thriller takes us on a journey with a local small town taxi driver in China who bears the brunt of bureaucracy and legal manipulation after he gets involved in an accident.

Canadian co-productions are also participating in the festival, notable among these are 'Still Night, Still Light’ (Canada, China and Mexico production) competing in the International Competition. Two films are being screened under the Cinema of the World Category; ‘The Bread Winner’ (Canada, Ireland Luxembourg) and ‘Union Leader’ (Canada, India). Another film ‘The Solitude’ (Canada, Venezuela, Italy) was part of the “Biennale College 1017 Venezia” package.

In an interview, The High Commissioner of Canada to India, H.E. Nadir Patel said, “Today, Canada is driving not just the story telling in films, but the technology that allows those stories to be conveyed to audiences around the world. We are delighted that in addition to screening some wonderful films during the 48th IFFI, Telefilm Canada has brought prominent Canadian film personalities, film makers and Canadian companies who are ready to explore opportunities with their Indian counterparts”.

IFFI 2017 - Young Filmmakers of India: Emerging Voices and Narratives

By: Amit Agarwal

Day 4 of IFFI 2017 saw a panel discussion with the theme - ‘Young Filmmakers of India: Emerging Voices and Narratives’ with Karthik Subbaraj, R S Prasanna, Bhaskar Hazarika, & Raja Krishna Menon. It was moderated by writer-filmmaker Ashwiny Iyer Tiwari.

Ashwiny Iyer Tiwari moderates the discussion
The discussion focused on how Bollywood has witnessed a new crop of brilliant storytellers over the past few years and their unique voice to tell socially rooted stories that exists beyond India’s dynamic metropolitan centers. Ashwiny, herself made her directorial debut with such a movie ‘Nil Battey Sannata’, and followed it up with ‘Bareilly Ki Barfi’. 

Talking about the new emergence of new storytellers, the panel observed that over the last few years, Hindi cinema has witnessed filmmakers who came from outside and just with their stories made their mark in the industry. The stories that they have showcased are fearless and the time has come when the audience has started accepting such stories without bothering about the actors featuring in it.

IFFI 2017 - The Winners Take All

By: Amit Agarwal

The 48th International Film Festival of India (IFFI) made headlines this year, not for the films screened but for the closing ceremony of the cinema carnival that saw the who's who of Bollywood for, arguably the first time! Amitabh Bachchan, Salman Khan, Akshay Kumar, Katrina Kaif, Karan Johar, Sonali Bendre, Zaira Wasim, Huma Qureshi, and the list goes on! Will it get any better at IFFI 2018, let's see! Here is the list of the winners that made a mark

Indian Film Personality of the Year Award
Amitabh Bachchan
Amitabh Bachchan receives the award from Smriti Irani and Akshay Kumar
Best Film Award
120 Beats Per Minute by Robin Campillo

Best Female Actor Award
Parvathy Thiruvoth Kottuvatta for Take Off

Best Male Actor Award
Nahuel Pérez Biscayart for 120 Beats Per Minute

Best Director Award
Vivian Qu for Angels Wear White

Lifetime Achievement Award
Atom Egoyan

Best Debut Film of a Director Award
Kiro Russo for Dark Skull

ICFT Unesco Gandhi Medal
Kshitij A Horizon by Manoj Kadam

Special Jury Award 
Mahesh Narayanan for Take Off

IFFI 2017 - Should Film Festivals Have Censorship

By: Amit Agarwal

Film Festivals worldover have a persistent question that stems out of perceived controversial content of a film. Should films be censored or screened in their entirety? International Film Festival of India in Goa, too faced such a concern this year.

The filmmakers of films that they claim are banned or dropped from IFFI 2017, S Durga, Nude, wanted to be heard and presented their views on the same to the press during IFFI.


In a letter to Smriti Irani (dated 18 November) 6 more members of the jury that selects films for the Indian Panorama section expressed their concerns at the ministry’s dropping of two films selected by the Jury, Nude (by Ravi Jadhav) and S Durga (by Sanal Kumar Sasidharan). The letter emailed on Saturday evening says, ‘We find it distressing that the two films were removed without any intimation, discussion or recourse to the Jury which has the final say according to the Indian Panorama rules.’


The letter acknowledges the resignation of three members following the ministry’s unexpected removal of the two films. The six signatories include: Satarupa Sanyal, Sachin Chatte, Suresh Heblikar, Hari Vishwanath, Ruchi Narain, Gopi Desai. The letter, which was picked up by the media soon after, was quietly followed by an email on Sunday night where Rahul Rawail was appointed as the acting Chairperson of Jury.

The letter to the Jury ended with ‘a request to initiate a conversation so that the remaining films which are extremely worthy of the Indian Panorama are not forgotten in the midst of this controversy, and that the two films under dispute are also given a fair chance to be viewed in the light that the Jury has wished them to be.’

IFFI 2017 - Festival Attraction: Majid Majidi's Beyond The Clouds

By: Amit Agarwal

Majid Majidi's Beyond The Clouds, is naturally the most anticipated film at IFFI 2017. As such the edition kick-started with the usual starry opening ceremony, followed by the screening of the opening film, Majid Majidi’s Beyond the Clouds. Interestingly, this is Majidi's first Indian film! 

The screening started right after the cast and crew facilitation: director Majid Majidi, the producers, debut cast Ishaan Khattar and Malvika Mohanan, music director A. R Rahman.

Beyond The Cloud tells the story of Aamir (Ishaan Khatter), a young man who lives under a road bridge where numerous impoverished families live, grabbing a bike and carrying out a series of drug deliveries all over the city.

A police bust intercepts Aamir, who is chased into the laundry workplace of Aamir’s sister Taara (Malavika Mohanan). Taara conceals Aamir and his stash of drugs with the help of an older male colleague, Akshi (Goutam Ghose). Akshi’s though wants his help paid in kind and assaults Taara, but Taara defends herself by hitting his head with a rock.

Taara finds herself facing prison, unless Akshi recovers and can be persuaded to admit his role in the incident. But although Akshi regains consciousness, he is unable to talk. Taara and Aamir, both, find hope in their desperate situation through connections with other children. Taara befriends Chotu, the child of an ailing prisoner, while Aamir, though initially considers selling Akshi's eldest daughter to a local brothel, warms to Akshi’s mother and two daughters.

The audience reaction post the screening was mixed, with some hailing the film while others calling it a slow film, with few twists and turns; but one thing sure was unanimous that the masterly stroke of Majidi was deftly written all over the film. 

IFFI 2016 - And The Award Goes To..

By: Amit Agarwal

The 9-day long International Film Festival of India, Goa 2016 came to an end with the Awards Presentation Ceremony. Here is a quick recap of awards both at the Inaugural & Closing Ceremony

AWARDS AT THE INAUGURAL CEREMONY

Two special awards were given to film personalities as a way of appreciation for their exceptional contributions to the Global Cinema. These were:

Centenary Award for Indian Film Personality of the Year: S.P. Balasubramaniam

Legendary singer, actor and music director S. P. Balasubrahmanyam was felicitated for his contribution to Indian Cinema with the Centenary Award for Indian Film Personality of the Year. Having made his debut in 1996 in a Telugu film, he has rendered his voice to over 40,000 songs and holds a Guinness Record for having recorded the highest number of songs.

The Lifetime Achievement Award: Im Kwon Taek
South Korean filmmaker Im Kwon-taek, was conferred with the Lifetime Achievement Award. The famed director talked briefly, saying with wry humor that some of his work that wasn’t as well-received. 

AWARDS AT THE CLOSING CEREMONY

The closing ceremony saw National Award-winner and director of the film Baahubali, S.S. Rajamouli as the Chief Guest for the evening. 

The International Competition section had a total of 15 movies of which two were from India. The Jury was headed by Czech writer- director Ivan Passer. The other members were Larry Smith (UK), Lordan Zafranovic (Croatia), Leila Kilani (Morocco) and Nagesh Kukunoor (India). 8 other movies were selected to compete with each other for the ICFT UNESCO Gandhi Award.

The winners of various categories under International Competition

Golden Peacock Award for the Best Film: 
Iranian film Daughter directed by Reza Mirkarimi

The Best Director Award: 
Soner Caner and Baris Kaya for Turkish Film Rauf

The Best Actor (Male) Award: 
Farhad Aslani for Iranian film Daughter

The Best Actor (Female) Award: 
Elina Vaska for Latvian film Mellow Mud 

Special Jury Award: 
South Korean movie The Throne by Lee Joon-Ik
Lee Joon-Ik wins for The Throne
The ICFT UNESCO Gandhi Award: 
Mustafa Kara for Turkish film Cold of Kalandar

The ICFT UNESCO Special Mention Award: 
Tiffany Hsuig for The Apology

Centenary Award for the Best Debut Film of a Director: 
Pepa San Martin for the Spanish film Ra Ra

IFFI 2016: The Must Watch's Part 3

By: Amit Agarwal

The 47th International Film Festival of India (IFFI) - IFFI 2016 gets ready to kick-off with a varied genre of close to 200 films from 88 countries across the world, here is the writer's list of 12 not-to-be-missed films

9. Take Me Home (Iran)
Abbas Kiarostami’s final film will be screened in a section dedicated to him as a tribute at IFFI this year. One of the most celebrated Iranian filmmakers, Kiarostami, went to southern Italy and created a beautiful and playful black and white short film Take Me Home.

A detour from his usual style of character-driven films, Take Me Home is a purely landscape-based affair. 


10. The Stopover (France)
The Stopover is this year’s winner of the Best Screenplay award winner in UN Certain Regard category at Cannes. Directed by sisters Delphine and Muriel Coulin, the film revolves around two servicewomen, Aurore and Marine, who have been close friends ever since their school days, growing up together in a military town. 

The duo and their unit is sent on a three-day course of physical and psychological therapy in Cyprus after completing a gruelling tour of duty in Afghanistan. Here, their recent Afghan experience is put under scrutiny and review with the aid of virtual reality.


11. Tamara (Venezuela)
In this film by Elia K Schneider portrays the real life story of Venezuela’s first transgender politician Tamara Adrian. The film portrays Tamara Adrian’s personal as well as political struggle through the years.

Schneider, who has previously directed acclaimed films like Huelepega and Punto y Raya, chooses to focus on the complexity of identity in this film. It is one of the most interesting films to hit the festival circuit this year. 


12. Sand Storm (Israel)
Sand Storm is Israel’s official entry to the 2017 Oscars. Elite Zexer’s debut feature is set in a Bedouin village in Israel and revolves around the lives of two women: Jalila, a 42-year-old woman, whose husband has just married another younger woman, and Layla, her 18-year-old daughter, whose secret, strictly forbidden love affair has just been revealed. The film captures the strenuously complex relationship between love and the practicalities of real life.

Critics particularly praise it for being an emotionally intelligent first feature that offers a sympathetic but clear-eyed look at the tangled skein of inequalities that entrap women (and the men they love and resent) in a Bedouin village stranded between modernization and anachronistic patriarchy.

IFFI 2016: The Must Watch's Part 2

By: Amit Agarwal

The 47th International Film Festival of India (IFFI) - IFFI 2016 gets ready to kick-off with a varied genre of close to 200 films from 88 countries across the world, here is the writer's list of 12 not-to-be-missed films

5. Barakah Meets Barakah (Saudi Arabia)
Mahmoud Sabbagh directs, what is being touted as the, first romantic comedy from Saudi Arabia. Barakah, a laid-back 20-something Jeddah municipal law enforcement officer from a humble background, meets Bibi, a rebellious beauty and Instagram star from a wealthy family. As the two start knowing each other better and fall in love, the comical situations that follow also provide an insight into a system where traditions and laws clash with modern principles.

Critics say the film is fascinating as ethnography.


6. The Age of Shadows (South Korea)
South Korea’s official entry for the 2017 Oscars will bring down the curtain on IFFI. Director Kim-Jee Woon’s epic, set in the 1930s, is said to be loosely based on ‘an explosive footnote’ in the history of Japanese-Korean relations. 

Critics laud it for its labyrinthine story emerging from a single incident and describes it as a magical beanstalk. Produced by Warner Bros., The Age of Shadows is the studio’s first Korean-language film.


7. Afterimage (Poland)
Cine-astes feel no film other than Polish auteur Andrzej Wajda’s final film based on the life of avant-garde painter Wladyslaw Strzeminski could open IFFI better; though the film got mixed reviews from the festival circuit worldwide, it bears the signature Wajda stamp.

Set in the dark days of Soviet communist rule, the film is much more than a biography of a painter.


8. Wolf and Sheep (Afghanistan)
Shahrbanoo Sadat's debut feature has won the Art Cinema Prize at Cannes. Wolf and Sheep is a slice-of-life drama that portrays Afghan society through shepherd children’s eyes. A community in a small village in rural Afghanistan has its own beliefs, traditions and stories. It believes in the existence of a certain Kashmir Wolf, who walks on two legs and is the enemy of the rich and the cruel.

Critics say that the film mixes naturalistic, ethnographic images with an appealing thread of folkloric magical realism.

IFFI 2016: The Must Watch's Part 1

By: Amit Agarwal

The 47th International Film Festival of India (IFFI) - IFFI 2016 gets ready to kick-off with a varied genre of close to 200 films from 88 countries across the world, here is the writer's list of 12 not-to-be-missed films

1. Ma’ Rosa (The Philippines)
Jaclyn Jose won Best Actress award for her act at the Cannes Film Festival. The film is featured in the Masterstrokes category at IFFI, Ma’ Rosa is also The Philippines’ official entry in the Best Foreign Language Film category for the Academy Awards 2017. Director Mendoza has made award winning films like Summer Heat and Thy Womb previously.

The film tells the story of a couple who own a small shop and supplement their meagre income by selling stepped-on meth. It shows what happens after the corrupt local police take them in, an incident that sends their children spiralling into debt, destitution and criminal activity to arrange for the bail money.

Critics sums up the film for its neorealist look and aver that in Ma’ Rosa, the ugliness is supposed to build.


2. I, Daniel Blake (UK)
The film won Ken Loach his second Palme d’Or, at the Cannes Film Festival. Loach is known for his staggeringly authentic cinema as well as his unbending socialist ideals. He won his previous Palme d’Or in 2006, for the film The Wind That Shakes the Barley.

I, Daniel Blake revolves around the life of a middle-aged carpenter named Daniel Blake from Newcastle, fighting to hold on to his welfare benefits even as his heart condition prevents him from working.

Critics say that the film has a universal story and captures a world — our world — in which the opportunity to thrive, or even just survive, is shrinking by the minute.


3. Graduation (Romania)
The Romanian film by Cristian Mungiu won the Best Director Award at Cannes Film Festival and will be a part of the Masterstrokes Category at IFFI. Starring Romanian stage and screen actor Adrian Titieni as surgeon Dr Romeo Aldea, Graduation deals with the complex and difficult relationship he has with his 18-year-old daughter, Eliza, played by Maria Dragus.

Critics say the film is an intricate, deeply intelligent film, and a bleak picture of a state of national depression in Romania, where the 90s generation hoped they would have a chance to start again.


4. The Salesman (Iran)
Asghar Farhadi is an exceptional Iranian filmmaker and his latest film The Salesman has already created a buzz by winning the Best Actor and Best Screenplay awards at Cannes. The film tells the story of a couple whose lives turn upside down when they move into a new apartment and unforeseen circumstances start taxing their otherwise harmonious relationship. The film is Iran’s official entry at the 2017 Oscars.

Critics say, we are caught up in something that can only be called suspense, and it’s galvanizing, but the suspense hinges purely on what’s going on in the characters’ hearts and minds.

IFFI 2016 - All Set To Be Better

By: Amit Agarwal

For the past few years, a lot of IFFI regulars have been commenting on the falling and flailing IFFI., owing to organisational debacle and meagre footfalls.

As if to give the 47th International Film Festival of India (IFFI) a fillip; the state government has more than doubled the budget from Rs. 6 crores (2015) to over Rs. 13 crores this year, the Directorate of Film Festival (DFF) has also increased the number of screenings to a reported 300 movies this year.

To tap the mainstream audience – the organisers are screening for public, four popular films namely Sholay, Maghadeera (Hindi-dubbed), and recently released Salman Khan’s Sultan and Akshay Kumar’s Airlift. IFFI will also host as many as 10 Marathi films including Nana Patekar-starrer Natasamrat, along with Konkani movies. These films will be screened at 20 indoor and outdoor locations in the state (both south and north Goa), the Entertainment Society of Goa (ESG) confirmed.

DFF said that in order to enhance convenience and to reduce unnecessary prolonging of the event, it had decided to clinically cut down the number of days of IFFI from 11 days to 9 days between November 20th and 28th. “Based on our previous year’s assessment we have dropped separate North-East section because of its less popularity and also there will be no ‘Homage’ section as we have not received enough entries. But will be showcasing four NE cinemas as a part of other entries,” Director of DFF, C Senthil Rajan said at the press conference.

Reportedly, ESG has also planned several parallel engagements for the local populace around the IFFI venue, such as ‘Goa High Street’ (event showcasing Goan culture, cuisine, merchandising and music) and ‘Children Film Village’, for youngsters and families. DFF Director said, unlike last year, where only delegates were allowed to National Film Heritage Mission, this year NFHM event themed on 70 years of Indian film and independence will be thrown open to the public.

According to ESG, altogether 5,500 delegates have registered for IFFI 2016, comparatively higher than last year’s delegate count of 3,500.

IFFI 2015 - Curtainraiser: Jaitley Promises A Better IFFI

by: Amit Agarwal

Arun Jaitley, Minister for Finance, Corporate Affairs and I&B said that International Film Festival of India held a special significance and had become a global brand in the world of cinema. It promoted excellence and provided an opportunity to showcase the best domestic and international talent. The Minister said this while addressing the curtain raiser press conference on International Film Festival of India -2015. Col. Rajyavardhan Singh Rathore, Minister of State for Information & Broadcasting, Laxmikant Parsekar, Chief Minister of Goa and Sunil Arora, Secretary I&B were also present at the occasion.

Elaborating on the festival profile Jaitley said the film festival would showcase 187 films from 89 countries in World Cinema section along with 26 Feature and 21 Non-Feature films in Indian Panorama section. Anil Kapoor would be the Chief Guest at the opening ceremony. The jury for International Competition included Chairperson Shekhar Kapur along with Michael Radford, Julia Jentsch, Suha Arraf and Jeon Kyu-Hwan. The 13-member Feature jury and 7- member Non-feature jury is headed byAribam Syam Sharma and Rajendra Janglay respectively. The opening film of IFFI 2015 would be ‘The Man Who Knew Infinity’ by Matthew Brown. The film is a true story of friendship between Indian Mathematician Ramanujan and Professor GH Hardy that forever changed the world of mathematics.

Jaitley said that the ‘Kingdom of Spain’ would be the focus country for IFFI 2015. The films of master Spanish filmmakers Carlos Saura and Pedro Almadovar along with contemporary filmmakers like Alejandro Amenabar would be screened at the festival. The section would also feature Spanish actress Leticia Dolera’s directorial debut ‘Requirements to Be a Normal Person. The IFFI 2015 in the International Competition would include 15 films from across the globe.

Jaitley also highlighted the new initiatives of IFFI-2015. He said this year IFFI would feature a special section on ‘World Cinema Restored Classics’ to highlight the idea of film restoration. This would feature a package of classics to put spotlight on National Film Heritage Mission (NFHM). The Minister further said that the film festival would also introduce a new segment- ‘First Cut’ to recognize the young talent in the field of cinema and would screen some of the outstanding directorial debuts of 2015. The section would feature emerging filmmakers including Brian Perkins (Film - Golden Kingdom, USA), Michael Klette (Film - Solness, Germany) among others.  The festival in association with the Oscar Academy would also promote skill development in film making through master classes on varied topics like sound designing, film archive and film editing.

Jaitley said that IFFI 2015 would also include special award - “ICFT- UNESCO Fellini Prize” in collaboration with the International Council for Film, Television and Audiovisual Communication (ICFT), Paris and UNESCO. The award would be presented to a film which reflects the ideals of peace, tolerance, non-violence and friendship promoted by UNESCO. Jaitley then proceeded on to release the poster for the 46th International Film Festival at the press conference.

IFFI 2015 - The Importance of International Film Festival of India

By: Amit Agarwal

Many people question the very need of an international Film Festival in India?

I was surprised when I was asked the same question this year after covering the festival for well over a decade.

For the uninitiated the festival was started in 1952 as an initiative for art and cultural promotion, of films from India on a global platform.

Today, International Film Festival of India, has become one of the biggest film festivals in the world. Directorate of Film Festivals that organizes festival every year and is organizing the current, 46th edition of IFFI in Goa as well, says that the festival showcases some of the best of World Cinema and introduces Indian Cinema to the world by bringing a mélange of spectacular films with rich content, interesting stories and characters.

Speaking on the venue, DFF elaborates that Goa has been the perfect venue for IFFI since the last 11 years and the lively and scenic settings of Goa are offering a great platform for art, cinema, and audience. The Film Festival offers a confluence of film screenings, knowledge sharing, master classes, seminars, panel discussions, special sections, and numerous awards among other attractions and hence is of prime importance for every Indian.

IFFI 2015 - The Awards Goes To

By: Amit Agarwal

After an action-packed eventful edition of IFFI 2015, the festival came to an end at a glittering ceremony culminating into presentation of awards, the major winners are

Best Film (Golden Peacock)
Embrace of the Serpent
Producer : Christina Gallego and Director : Ciro Guerra

Best Director (Silver Peacock)
Peter Greenaway for Eisenstein in Guanajuato

Best Actor (Male)
Vincent Lindon for The Measure of a Man

Best Actor (Female)
Shared by the female cast of Mustang
Gunes Sensoy, Doga Doguslu, Tugba Sunguroglu, Elit Iscan and Ilyada Akdogan

Special Jury Award
Director : Julia Vargas for Sealed Cargo

Jury Special Mention
Director : Goran Radovanovic for The Enclave

ICFT – UNESCO Fellini Medal
Cinemawalah Director : Kaushik Ganguly

Lifetime Achievement Award
Russian Filmmaker Nikita Mikhalkov

Indian Centenary Personality of the year
Music composer Illayaraja

IFFI 2015 - Highlights Part 2

by: Amit Agarwal

The following are the highlights of IFFI-2015 (Part 2 of 2)

·        The Indian Panorama section received a total number of 384 films from different regions of the country including 238 Feature and 146 Non-Feature films, out of which 26 feature and 21 non-feature films will be screened during the festival.

·       The festival will organize a Special Retrospective on the legendary actor ShashiKapoor.

·        Mr.AribamSyam Sharma headed the Feature jury while RajendraJanglay headed the Non-feature jury for Indian Panorama section.

·        World’s third Sanskrit film Priyamanasam will be the opening film of Indian Panorama section.

·        Filmmakers ShyamBenegal, Vettrimaran, KaushikGanguliand Anand L Rai will interact with audience in a special series titled “In Conversation”.

·        The ‘Focus on North East Cinema’ section will feature a Special Retrospective on the ace filmmaker AribamShyam Sharma and special section on new generation filmmakers from the North East region.

·        IFFI 2015 in collaboration with the International Council for Film, Television and Audiovisual Communication (ICFT), Paris and UNESCO will present the “ICFT- UNESCO Fellini Prize” to a film.

·        For the first time, IFFI will be recognizing young talents from the world of cinema under its new segment - First Cut that will showcase some of the outstanding works of debutant directors of 2015.

·        Focusing on skill building in filmmaking and enhancing talents, IFFI in association with the Oscar Academy will organize master classes with eminent Academy Members including Mark Mangini, Milt Shefter, Humphrey Dixon to name a few.

·        IFFI 2015 will featurea special section ‘Restored Classics’ to highlight National Film Heritage Mission (NFHM). The section will showcase world-class restorations of some landmark films.

·        The sections Masterstroke and Festival Kaleidoscope will showcase the latest films of the masters of world cinema. Films from Palestine, China, Mexico, Sweden and other countries will be screened in this section.

·         The festival will feature a Special Retrospective on eminent Israeli filmmaker Amos Gitai. His 10 films will be screened in retrospective section.

·        The festival will pay a Special Tribute to noted Danish-French actress, director and screenwriter Anna Karina and will feature her 3 films.

·        The festival will welcome more than 7000 delegates (need to confirm with DFF) and thousands of cinema lovers from across the globe.

·        The film festival will also host the 9th edition of Film Bazaar which will be focusing on more than 150 film projects. Delegates from 38 countries will be participating in the Film Bazaar.

IFFI 2015 - Highlights Part 1

By: Amit Agarwal

The following are the highlights of IFFI-2015 (Part 1 of 2)

·        The festival received an impressive 790 film entries from 100 countries. This year, the World Cinema section will present around 187 films in various sections from 89 countries.

-        Written and directed by Matthew Brown, this year’s opening film is The Man Who Knew Infinity.

·        Directed by Pablo Trapero, Argentina’s Oscar entry and this year’s biggest Argentinean box office hit- The Clan to be the closing film.

·        Directed by Academy Award Winner Tom Hooper, The DanishGirl will be the mid fest film.

·        The Kingdom of Spainwill be the focus country of IFFI 2015.

·         The International Competition will have 15 films from across the globe including countries like Argentina, Belgium, Bolivia, Colombia, France, Germany, Iceland to name a few. Two films from Indian Panorama section will also be competing in this section.

·        The International Jury is headed by Mr.ShekharKapur(Chairperson, India) and includes film personalities like Mr. Michael Radford, Ms. Julia Jentsch, Ms.SuhaArrafand Mr.JeonKyu – Hwan.


·        Anil Kapoor will grace the opening ceremony as the Chief Guest of the event.

·        A.R. Rahman will be the Chief Guest of the closing ceremony.

·        IFFI 2015 awards spread across different categories including Best Film, Best Director, Best Actor – Male, Best Actor – Female, Special Jury Award, Centenary Award, Lifetime Achievement Award and Centenary Award- Indian Personality of the Year.